Camera Bag Hunting

I’ve been hunting for a new camera bag. Specifically, I’m looking for a camera bag that doesn’t scream, “Hey, I’m a CAMERA bag, full of expensive CAMERAS and equipment you just might want to steal!”

I also don’t want the bag to scream, “Hey, this guy has a CAMERA. He could be a JOURNALIST. You might want to walk over and HASSLE him,” to any rent-a-cop in the area.

I know there are arguments both pro and con for the nondescript camera bag. Some people say it’s idiotic, because as soon as you pull out a big, expensive camera, a good thief will mark you. True enough.

People have related having their diaper bag camera bags stolen, even full of dirty diapers. (You need to scroll halfway down to the page to find the story.) But there’s nothing you can do about that. Once you’re marked, you’re marked.

For me, it’s about what I look like when I’m not shooting, and when I’m walking from place to place. I want a bag that just says, “I’m a bag. The droids you’re looking for aren’t here. This person can move along.”

The only bags I have right now don’t serve that purpose. They say, “Hi! I’m full of cameras!” or “Hi! I’m full of EXPENSIVE cameras!” I don’t even have to pull out a camera to have to worry about being marked. And they also look regrettably dorky.

ThinkTank Urban Disguise

The first place I checked was my local camera store, because I’m a big believer in buying local. I took a look at the ThinkTank Urban Disguise models they had there, but I dunno… they just felt clumsy. I know some people swear by them, but trying out the bag just felt a little awkward. It also looked about as inconspicuous as a heart attack.

“Hey mister, what’s in that HUGE black bag?” “What, this tiny thing? It’s nothing, nothing!” Yeah, I don’t buy it either.

It doesn’t look like any other kind of bag I’ve ever seen before, which would make me very, very suspicious of the person carrying it.

Crumpler

I’m a big fan of messenger bags, because you can dump a lot of stuff in them, throw them over your shoulder and go on your merry way. So I started looking at messenger bag style camera bags, and this is where it led me.

I looked at the Crumpler bags. They’re nice, but good God are they expensive. $150-$200 for a basic bag just doesn’t cut it. Also, they have the problem of being well-known as camera bags. (Everyone knows Crumpler is a camera bag maker now.) Their website didn’t really win me over, either. I don’t like those “cute” flash app websites that are all glamor and no substance. Give me data. Facts and figures. Not a toy. It was so freakin’ annoying.

The actual bags… I’m sure they’re great and all, but very spendy and a bit on the flashy side. Maybe if I were a celebrity photographer, it would work, but I’m not.

Naneu

I took a look at the Naneu bags on a reccomendation of someone who liked them. They’re excellent backpack bags, but not quite what I need. I like how the camera compartment faces your back, so it can only be accessed by removing the pack from your back. That way, nobody can lift your camera if you have your pack on. But it’s just not easy to just pull out your camera that way.

I need speed and ease of access, which is why I want a messenger bag-style bag in the first place. Nice for when I climb Mt. Everest, though.

Lowepro Classified

I also took a look at Lowepro’s Classified series… it looks pretty much like the ThinkTank, only it’s by Lowepro.  I’m sure it’s a great bag, but I don’t carry the Empire State Building in my bag. I just want something a little more… inconspicuous. That Black Monster ain’t it.

Make Your Own Camera Bag

I found this post on just building my own camera bag with a messenger bag and some Domke inserts. Others have discussed the idea as well. Timbuk2 has a similar take on how to build your own camera bag, based on a flickr discussion.

Here’s another flickr discussion on using Tenba inserts instead of the Domke inserts.

But in the long run, I think both setups are going to be a little on the janky side, and frankly, a good Timbuk2 bag isn’t that cheap to begin with. That alone will run in the $100-$150 range. By the time you add in the inserts, you’re staring $200 in the eye again. Where are the savings?

Frustrated, I stumbled across this thread on flickr.

F-Stop Bard and Maverick

Now I must admit that I really like the look of the Bard and Maverick by F-Stop. They typically make a lot of adventure-type gear bags that you’d see people use for stuff like mountain climbing or skateboarding, or surfing on lava or something. But both the Bard and the Maverick have the kind of look I’ve been trying to find. Something that looks like a messenger bag, that has good padding, will hold my gear, and doesn’t scream “CAMERA BAG!”

The only downside might be the logos on the gear, but those can be covered with stickers. No biggie there. The pricing is good, too. The Bard runs $99 on their website, and Maverick runs $129.

This comparison of the Domke F2 and the Bard really got me interested. And Skye Nacel’s posts on the F-Stop site gave a lot of useful info on the Maverick and also his comparison shots with the Bard. He also posted some good short reviews on YouTube of both the Bard and the Maverick.

But I still didn’t have enough info to make a decision on which bag to go with, so I wound up having to contact the company. Suggestion: use e-mail. They respond very quickly to e-mails.  I had trouble getting through over the phone.

I went ahead and ordered a Bard, because I want something as small as possible. If I need something bigger, I was assured I could exchange it for a Maverick.

I’ll post a review in a few days/weeks when the bag shows up. I’m hoping it’ll be small enough to fit under an airplane seat… that may be wishful thinking. But the price sure is right: $117, and that includes UPS ground shipping.

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Feeling Genki

I had a really nice lunch with my sister, brother-in-law, nephew, and my cousin Tuesday at a great sushi shop in Wilmington called Genki Sushi. It’s my new favorite Japanese restaurant in the whole state. It’s sort of like a cross between a sushi bar and an izakaya (which is kind of like a Japanese pub).

Coming here really does feel like coming to a real Japanese restaurant, and Sugi-san and his wife do an excellent job of making you feel right at home. The menu is full of good stuff, too. From good fresh sushi to those dishes that make you feel a little 懐かしい for good old Japanese food.  It’s not the stuff you get in the steak houses, and it’s not some fancy fusion stuff. This is good, solid 和食 (washoku), which means traditional Japanese food. The good stuff.

I had some tuna sushi (nigiri, of course), with fried squid legs, and a great tonkatsu plate. And of course, a bowl of Sugi-san’s excellent rice. He makes the best rice I’ve ever had. (And I’ve had some excellent rice.)

No trip to Wrightsville Beach is complete without Trolly Stop hot dogs either. I had a couple of  Carolina dogs on Wednesday for lunch. Those are just the best hot dogs in the world.

A Carolina dog is a hot dog with chili and cole slaw on it, but for some reason, the chili and cole slaw at the Trolly Stop just goes really well together.  I love to add a dash of mustard and ketchup. (Not too much.)

Oh yeah, the beach was wonderful, too. Hey, it’s the beach. Of course it’s great. The beaches in North Carolina are hard to beat. (Except, of course, when you’re in the middle of a hurricane…)

It’s good being with the whole extended family, but it will be good to get home and take a break from all of the travleing for a few weeks. It’ll also be time to stop eating so much, and get back on a more sane diet. Sigh.

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I Hate I-95

I made it safely to Wrightsville Beach, NC, where we have a big family get-together every year. It involves eating way too much food and a lot of staring at the ocean. There’s also a lot of setback involved.

Setback is a card game that apparently only the people in my family know how to play. I’ve never met another soul who knows how to play it. More importantly, it requires four people, and that means it requires a family gathering of some sort to get enough people to play it properly. The best way to describe it is “Redneck Bridge,” and I’ll just leave it at that.

But getting there is half the fun, or so they say.

I managed to get out of the hotel in Baltimore at about 12:30, and made it on to the highway okay, only to get caught in the usual Sunday gridlock just south of DC on I-95.

Of course, as I approached DC, my TomTom tried to tell me about all of these great shortcuts, but this time I ignored it. No more shortcuts through hospital parking lots, thanks.

Why do I use it then? Mostly as a trip computer, or for when I get lost. It’s really handy for those sorts of things. I also use it to find places I don’t know how to get to, but I don’t particularly like relying on it alone.

It’s an uncomfortable feeling not knowing where I am, and just relying on a random black box to tell me where to go. I always keep a few maps lying around the car. I don’t use them, but I have them, just in case.

So as I fled DC, I got stuck in the usual I-95 southbound gridlock. It lasted for about 10 miles, and can take anywhere from 45 minutes to an hour to get through. There’s no particular reason for it, other than that there isn’t any other way to get the heck out of DC and go south.

After crawling through Northern Virginia, I wound up grabbing some junk food along the highway south of Petersburg at some anonymous truck stop that had a Burger King nearby. Sometimes hunger trumps common sense. Blerg. At least I won’t have to eat there ever again. It was a good reminder that making your own food is a lot smarter than trusing a faceless corporation to do it for you.

As I headed into North Carolina, I started looking for the exit for I-795, which is a shortcut. It cuts about 30 minutes off of your travel time to Wilmington, and, more importantly, gets me the hell off of I-95, which is full of people falling asleep at the wheel or driving like maniacs at this point.

If you’re not familiar with I-95, it’s the main freeway from Maine to Miami along the Eastern Seaboard of the U.S. For people driving from New York to Florida, North Carolina is the state where many of them tend to fall asleep and run into things. The news here is full of reports of these kinds of accidents. The results are not usually very pretty.

So while I was looking for I-795, I wasn’t seeing any signs for it. The problem was that nobody in the NC Department of Transportation had decided to put up a sign for the stupid road until the last freakin’ second, so I missed my exit. The sign was actually nailed onto the exit sign as an afterthought. Nice going, guys. Way to put my tax dollars to work.

Actually, I could have made the exit if some jerk in a van from NY would have let me pull over, but instead she honked at me and gave me the finger. Thanks, lady. I heart you too.

Of course, the GPS wanted me to stay on I-95. It wasn’t convinced that I-795 would save me any time. So I took the next exit, pulled out my map, and managed to find I-795. Or so I thought. Seriously, this road is poorly marked. Naturally, I wound up on US 264 East, headed to the Outer Banks. D’oh. Thanks, NCDOT.

At this point I admitted defeat, and started listening to the GPS. “Fine, I give up. Just get me back on a highway that will lead to Wilmington. I’ll even go on your stupid I-95.”

The little box started leading me on all kinds of back roads for about 15 minutes, until by some miracle, I wound up on I-795. Huh. About 20 minutes later, I was on I-40, zooming towards the beach.

So I guess these things do eventually work out… sometimes. I finally got to the beach at about 8:30 that night, so I only lost about half an hour overall.

I highly recommend taking I-795 as a shortcut… if you can find it.

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Cannoli Quest

Tonight I completed a dangerous and important task. I got cannoli for the big family get-together in Wrightsville Beach, NC. Since I’m in Baltimore, I might as well find an Italian bakery and give it a shot, right?

I decided to try to find one of the branches of Vaccaro’s Italian Pastries, which just happens to have a store in Little Italy, about a 10 minute walk from my hotel.

Now I’m going to talk about my iPhone for a second. It may seem like a non-sequitur, but it’s actually important. Without it, I may not have found the store. Just using the web browser and the Google maps apps on the phone, I managed to hunt down the store. The iPhone is a lot easier to carry around than a giant honkin’ GPS, and it can do searches right on the Internet as you’re walking around. Very handy. I didn’t drink the iPhone Kool-Aid at first, but now I’m somewhat happy with it.

So after wandering and playing hide-and-seek GPS style with the iPhone, I found Vaccaro’s. The lower level is closed due to construction, so everyone was jammed into the upper floor, which is a tight fit. That meant the eating area, take-out area, and the kitchen were all stuffed into one small space. Luckily, I got there just before the after-dinner rush, because within about 10-15 minutes, the line of people waiting to get take-out from the bakery was going down the stairs and out the door.

I got my 12 mini-cannoli and a tiramisu for tonight, and headed back to the Irish pub for more fish and chips.

Tonight I got the waiter who thinks he’s funny, but he’s not. No, really. I have trouble hearing to begin with, so your little joke about pretending to get my order wrong, and making me restate it twice only pisses me off and starts making me deduct from your tip.

I’m not usually the guy who meditates on the wait staff’s tips while I’m at your restaurant… unless you piss me off. Then I brood over your tip for my entire meal, thinking of ways to let my displeasure be known in a numerical manner. I start looking for reasons to dock you percentage points. Slow with a refill? Is the food 3 degrees too cold? Did you come by my table in the last 8-10 minutes to make sure I had everything I needed?

I’m just sayin’.

The food was fine, but cut the comedy. If you’d just done your job professionally,  you would have gotten 20%.

I have friends who used to wait tables, so I know it’s a hellish gig, and that the whole system stinks. So I’m usually a very good tipper. But if you give me a reason to start docking, I’ll dock away.

After that, I headed back to the room for some tiramisu (which was excellent) and some Survivorman reruns.

Tomorrow the conference winds up, and then I have a 420 mile drive ahead of me. Ugh.

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Baltimore is Expenive, and Other Obvious Things.

I’ve got some extra time to kill, since I’m skipping some of the Organized Fun Events at the conference, and instead just being a tourist here in Baltimore. I’ve only ever spent the night in Baltimore once, about 8-9 years ago, so I want to take the chance to see the sights around the Inner Harbor where I’m staying.

On Thursday night I thought about heading to the ESPN Zone and seeing what all the fuss was about, but after reading some not-too-glowing reviews on tripadvisor, I decided to walk around and look around the neighborhood and see what else there was. I was really in the mood for seafood, so I tried to target some of the seafood restaurants around my hotel, the Marriott Baltimore Waterfront, but when I saw $45 for a plate of crab cakes, I decided to just find someplace that wouldn’t eat my wallet.

I wound up at James Joyce’s Irish Pub (I think that’s the name), and had a plate of calamari and fried fish for half the cost of those crab cakes. They were pretty good, too.

The Inner Harbor area is very much the tourist trap, and very expensive. You’ll find all sorts of theme restaurants and chains all over the place, and all of them will be happy to liberate your cash from your wallet. So be warned.

But it’s architecturally pleasing, so that counts for something.

If you want really good Italian food, you’re supposed to go to Little Italy, which is right in the same area. I’m going to try going to one of the Italian bakeries to bring some cannoli to the beach for my relatives. I’ll save that for Saturday night.

Tonight (Friday) I went to the National Aquarium in Baltimore. Let’s get this out of the way. It’s expensive. Outrageously so. $25 just to see the fish. $30 if you want the “full experience.” I didn’t want the “full experience,” so I just took the $25 hit in the wallet. I can’t really say that I got my money’s worth.

I realize that it’s an aquarium, and all aquariums have fish in them, but this place had that “funky” odor of not being well maintained. I’ve been to a number of aquariums in my time– notably the Tennessee Aquarium in Chattanooga, and the Kaiyukan in Osaka, and both blow this place out of the water in both exhibit quality and overall fit and finish. I just kept feeling like I wanted to wash my hands, and I don’t know why.

One of the most irritating things was that the fish in the tank and the fish pictures around the tank never seemed to match up. It was almost as if they had decided to just take all of the explanation cards and shuffle them all up, just to confuse me. Or maybe the main fish were on vacation or something.

There were some cool things to see– the sharks were impressive. And there was a cute cowfish who kept chasing this one guy’s digital camera and jumping in front of the other fish to be in the picture. The Australian exhibit was nice, albeit kind of short, as was the rain forest exhibit, but overall $25 is a lot to ask for this particular aquarium trip.

I stopped by the snack bar to see if I could get a quick bite (because I was starving), but the prices were so ridiculous, I just suffered. $3.00 for a bottle of water is just nuts. $6.75 for an object that barely resembles a sandwich, doubly so. There’s a gift shop, too.

After that, I wandered around the Inner Harbor some more, taking pictures of the ships at anchor, and looking around at some of the buildings. It’s a nice place, but it’s expensive. I wound up eating dinner in my room, thanks to the power of my portable electric cooler and some pre-trip planning, and had dessert at Haagen-Dasz… which was also expensive.

I’m sensing a pattern here.

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Arrival in Baltimore

So, after a somewhat uncomfortable drive on I-95, I made it to Baltimore for the Investigative Reporters and Editors conference.

Along the way, my TomTom GPS decided that no, the Beltway isn’t a perfectly good way of going around Washington D.C. Instead, it kept insisting that I wanted to get off of the Beltway RIGHT NOW and go on some random city streets that certainly didn’t feel like they were heading towards Baltimore.

I had the same kind of feeling you get when you’re following dodgy directions, and you wind up in a cornfield somewhere, completely lost. Only this time, the stupid box was leading me through a hospital parking lot in the middle of a downpour.

Ah, isn’t technology grand? It eventually led me to some highway, which led me to another highway, which eventually dumped me back on to I-95, which I should have stayed on in the first place. Ugh. Stupid machines. Needless to say, I wound up getting to my hotel right around midnight, only to stand in line behind about 15 other people who had just gotten in to check in.

I’m betting they were driving through the hosptial, too.

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How I Learn Japanese (Now) (part 3) (Kanji!)

In a previous post I talked about James Heisig’s Remembering the Kanji, Volume 1. (RTK1 from here on out.) It’s a really cool book, and I have drunk the Kool-Aid to become a believer in his approach to studying kanji.

Sort of.

First, I must dispel a myth.

Learning kanji is NOT HARD. It’s very do-able. It requires a little forethought, the right materials, and work. Seriously, 150 million people use kanji daily and have no problems with it at all. You have to put in the hours, and you have to be SMART about it.

The division of labor will set you free.

Juggling 3 balls is easier than juggling 7. RTK1 is all about getting you to reduce the number of balls you’re trying to juggle when you learn kanji. By getting one big chunk of learning out of the way, you’re making it easier for your brain to learn kanji.

RTK1 does something really cool. It puts you on the level of all of those Chinese kids who are trying to learn Japanese. When they learn Japanese, they only have 3 balls to juggle, compared to your 7 when tackling kanji.

They see those kanji characters, and in their language, they have a meaning in Chinese.

So for example, they’ll see 川 and think, “Oh hey, that’s the character for ’stream.’” Then they’ll find out that the Japanese pronounce it entirely differently. (In fact, in Japanese, you can take one character and pronounce it 3-4 different ways, depending on how it’s used. ) But  they already have a mental hook, and that hook is “stream.”

They can recognize it, they can write it, and they can slot it in a spot in their brain and attach a rough meaning to it in their native language.

So really, all they’re stuck doing is learning how to pronounce it.

That’s what RTK1 does for you, you non-native Chinese language speaker! And that is pretty impressive, once you grasp that concept, because it does it for you for about 2,042 characters, if you keep your study habits up. And really, all you’re doing is just juggling the characters in your brain until you can assign Japanese readings to them full-time.

So when you approach kanji in the wild, all you have to learn are the readings.

That’s the huge deal. You’ve already got the other stuff down from RTK1. That’s why I drank the Kool-Aid.

Those English words you’re using to learn them will fade over time.

I finished RTK1 about 11 months ago. Finishing RTK1 takes a lot of effort, and a lot of people feel great when they’ve done it. Congratulations. You’ve achieved something.

Kind of.

You’ve prepared your brain to start learning Japanese kanji. BUT you haven’t actually learned any Japanese yet.

At this point, some people sit back and say, “Wow, I know a lot of kanji!” Well, yeah, kind of, but you don’t know any Japanese. Then they freak out when they realize that.

The rest of us realize that the easy part is over, and now we have to figure out how to learn all of those readings.

You may think, “Crap, what do I do now? I memorized all of these stupid keywords, now how should I learn the actual readings?”

You can get a bad case of paralysis by overanalysis. Why? Well, because you have so many options available to you now, simply because you’re done preparing yourself to learn.

First, you need to know something. Kanji have two readings, the onyomi, or the Chinese reading, and the kunyomi, or Japanese reading. Sounds confusing? It is at first.

Here’s the quick and dirty: you usually use Chinese readings when two or more kanji are hanging together to form a word, and you usually use the Japanese readings when a kanji stands alone, usually as a verb. Usually. Not always.

I’m bringing this up because it’s important.

Now, I’m assuming you’ve finished RTK1 by now, and you’re wondering what to do next.  So here are some of your options. (Or at least some of the ones I considered.)

Option 1. Continue with RTK volume 2

It’s a valid option. You could order Remembering the Kanji, Volume 2, and just proceed on your merry way. Heisig did something pretty smart for RTK2: he took kanji with similar readings and grouped them together when they had similar radicals.

It’s very handy, but… well… see, the thing is, it only works for some kanji, it only works for some readings, some of those readings are obscure (like 1% of the readings of a kanji), and it only works for the onyomi (those Chinese readings where two or more kanji are hanging out).

So its usefulness is limited. Also, the vocab he uses as examples are presented in isolation. There are no example sentences, so you don’t know how to use the words without having to look them up yourself.

Some of the vocab is obscure. We’re talking, stuff I can’t find in my dictionary obscure, because it’s ancient Buddhist stuff obscure.

His approach to kunyomi isn’t very helpful. He devotes one chapter to it, and after reading it 3-4 times, I still don’t get it. It’s way too complicated, in my opinion. It’s taking something simple and making it harder than it needs to be.

In the end, you’ll know a bunch of readings, but I’m not really sure how it’ll help you know any Japanese.

NOTE: If you get RTK2, make sure you download the errata.

Option 2. Jump ahead to RTK volume 3

Some people choose to do this. I see this as delaying the inevitable. If you jump ahead to RTK3, you can pick up the rest of the kanji, so you’ll have English meanings for 3,007 kanji. Great, but you still don’t know any Japanese. I would do this when you have those 2,042 kanji nailed in Japanese, but that’s me.

The other problem is that these kanji are mostly very obscure.

NOTE: If you get RTK3, make sure you download the errata.

Option 3. Kanji in Context

Some people like this series. I’m not too keen on it, because I like lots of example sentences. I like to take those example sentences and dump them in my SRS, because then I have context. I thought Kanji in Context would give me context. Turns out I was only half-right. It gave me context for some, but not all of my kanji, and it was completely random about which kanji got context. Some did, others didn’t, and I never found out why. I felt a little ripped-off, given the price.

So maybe the title should be Some Kanji in Context, But Not All of Them, which is disappointing.

Option 4. 2001 Kanji Odyssey

Okay, this series has a goofy name, but I have to admit it has what I want. Sort of. What CosCom did was take 2,001 kanji, put them in order of frequency, divide them up into 3 volumes, printed 2 of them, only made the third one available on CD-ROM, and then gave you 2 great volumes, with an awesome free workbook for the first volume available online.

A printed version of volume 3 is in the works, as is the workbook for volume 2.

I think it’s pretty darn nifty. Volume 1 covers 555 kanji, volume 2 covers another 555, for 1,110 total. Volume 3 comes on an overpriced CD with volumes 1 and 2, and picks up the rest, but it lacks example sentences. (Which leaves you on your own to find those in dictionaries or … somewhere…)

I really don’t like the CD version, because you can’t copy/paste into your SRS. I prefer the dead-tree editions. Just OCR what you need to.

But wait, you say, I was just bashing KiC above for not having all of its 2,000 kanji in sentences! Yes, but when Kanji Odyssey (KO) lists a kanji in volumes 1 and 2, it shows the kanji with a whopping three example sentences. KiC didn’t even come close to that number.

The other thing KO does is that it builds on its vocabulary, sentence after sentence. It’s not obvious at first, but over time, you start to see it kick in, and it’s impressive. The vocabulary is all common stuff you’ll see in newspapers and magazines. It’s not “Bob and Gina are exchange students!” crap, it’s “Our company exports auto parts overseas.” You know, stuff you might actually use if you work in Japan.

Downsides? Sure:

  • You only get sentences for 1,110 kanji in 2 volumes. You’ll need to figure out what to do with the rest later.
  • The sentences are weird sometimes, and dull at other times. Par for the course.
  • The sentences are on the big side, which can make your cards long and unwieldy. Sometimes you may want to break them up.
  • The grammar will be too hard for newbies, and too dull for advanced students. It’s a vocab book, not a grammar book.
  • Not every single vocab word listed gets into the sentences. Every reading gets covered… usually… but not every vocab word that is listed on the side. What you do about it is up to you.
  • The vocab learning curve is steep for a while. You’re going to get a LOT of vocab crammed down your throat. It tapers off eventually, but for the first 300-400 kanji, you’re going to be grumbling a lot. Also, the extra vocab in the sentences probably won’t be familiar to you, either.
  • The sentences don’t always fit nicely into the concept of i+1, which I interpret as meaning, “Don’t  put a bunch of new crap on your SRS card. One new fact per card, if you can. Two is pushing it.” To get around it, I had to add extra cards with extra sentences from dictionaries to cover the extra vocab. I found that that reinforced the extra vocab, too, because I saw it more often.
  • The English translations are a little… odd.
  • The sentences can be… weird.

In spite of the downsides, I think it’s the best compromise I’ve found. I don’t have to build any memory palaces or stuff like that. I just plug and chug into my SRS.

And if you don’t like the sentences, you can just follow the word order and find better sentences somewhere else, like in dictionaries or just doing blog searches.

Option 5. Basic Kanji Book

This is an interesting series I’ve seen some people rave about. It’s a series of 4 books that will get you to the ~1,000 kanji mark. I don’t have any experience with it, though. It looks like it’s pretty thorough, but it’s pretty expensive, in the $30-$40 range per book. Each book goes over 250 kanji, with lots of drills and exercises. I would check out the pages at thejapanshop.com’s website, and click on the book’s image to see a preview of what each volume looks like.

Option 6. Useless Kanji Books

There are a ton of these out there. A lot of them are in English, and will have great titles, like Essential Kanji, and will look incredibly useful, when in reality, they are not anything remotely useful at all. They’re simply books that contain a list of kanji with their onyomi and kunyomi, a vocab word or two if you’re lucky, maybe a stroke order diagram, aaaand… that’s it. A waste of money and trees. You can get that info for free online. (No links provided for useless books!)

Other books similar to Essential Kanji are Kanji and Kana: A Handbook of the Japanese Writing System, and Henshall’s A Guide to Remembering Japanese Characters. Both of which are published by Tuttle.

To be fair, Henshall’s book isn’t without merit. He does provide some tangential etymological info about the kanji, and his own mnemonics. But if you’ve already done RTK1, it’s useless for you. Otherwise, it’s just another book listing kanji.

A lot of these books are notorious for something else– they have high ratings on Amazon.com. This should tell you something– most people who review books on Amazon don’t know squat.

Don’t ever buy a book simply based on its Amazon rating. It’s asking for a kick in the head.

Option 7. smart.fm

It’s a pretty neat little site. It’s got a lot of fans these days. It’s free for now, and it has a pretty decent flash-based Japanese language learning setup based loosely on spaced repetition. You learn with its own modified version of an SRS, with audio and sentences and such. It’s very engaging and entertaining. The use of audio, pictures, and such try to engage as many senses as possible.

It lets you set the amount of kanji you want to tolerate in your sentences from none to full, which is really handy. It even tests against tip-of-the-tongue moments, by measuring the speed of your response. I’d say it’s a good option for building vocab if you don’t want to mess with building your own decks in Anki. The sentences come from a very good source, and the voices are all native speakers.

Many people have built a lot of new and interesting decks that are much better than the canned decks that come with it, too.

Anki has an import plugin that will grab sentences from smart.fm and import them into your Anki deck. Pretty spiffy.

Downsides? Sure. I don’t like the site’s multiple-guess approach. A good SRS should be fill-in-the-blank. Multiple-choice is bad, because it makes your brain lazy. Even if there are 10 answers to choose from (which there are), I don’t like it.

I don’t like its SRS spacing, either. It doesn’t feel very robust. It’s hard to explain, but it’s good for those first few short intervals, then it just kind of fades.

It’s not very customizable, either. I much prefer Anki in this regard. Anki lets me get away with a lot. (Especially when I bug the author.)

Then there’s the Sword of Damocles hanging over the whole operation, namely, what’s going to happen when the beta is over, and they need to start making money? That’s a good question, and I haven’t heard a good answer yet. Maybe it’ll be ads in the questions, maybe it’ll be ads in the flash app, maybe it’ll be pay for play. Who knows?  That’s the troubling bit. I wouldn’t want to build a whole study regime on something that’s essentially a rug that could be pulled right out from under me at any moment.

It might be great for you, but have a backup plan.

Option 8. 例文で学ぶ漢字と言葉

I figured I would add this option to the list, since some folks like this book as well. It covers about 1,023 kanji which show up on the JLPT level 2 exam. It won’t get you all 2,042, but it is a good start. There aren’t any English translations, and you’re going to need to look up some of the words, simply because you don’t always get readings. It’s a bit odd in that respect.

Again, it’s not perfect, but it is good. You can buy it at BK1 here.

Option 9. Make up your own option 9

I’ve just thought of some of the general options off of the top of my head, and a few of the pitfalls. The reality is that everyone has to figure out what to do next on their own.

The cool thing is that finishing RTK1 will give you the ability to do whatever you want kanji-wise, because as long as you keep juggling those kanji-balls in your brain, you’ll be able to learn new kanji readings with ease.

In the end, it doesn’t really matter which option you pick. Just pick one, and stick with it. If you don’t like it, try something else.

I find I like studying sentences, because I like context. It makes it easier.

I also find I like studying both ways– from kana reading to produce kanji, and from reading kanji out loud to know what the kana are. Some people get more elaborate, and use text-to-speech software and create MP3s of their sentences, but that’s too much work for me, and it doesn’t work over my cell phone web browser.

Some people do even crazier stuff, which I’ll post about later. There’s some wild stuff you can do with Anki.

I like Kanji Odyssey, because I like the frequency approach. Someone pointed out that frequency shouldn’t matter, because you’ll learn them all in the end.

Yes and no. In the end I will learn them all, but along the way, knowing the more frequently used ones will let me enjoy a wider range of Japanese language material with greater ease.

More fun = more staying power.

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How I Learn Japanese (Now) (part 2)

So I want to talk about SRSing today, because it’s the one item that is overemphasized and underutilized at the same time. Using one is a process that demands constant care and feeding. It’s sort of like having a sick plant. Some people will nurture the thing for a while, it’ll get big and beautiful, then it’ll get a disease, and they’ll say “Screw it!” and throw it out because they’re tired of the effort.

An SRS isn’t a magic box that will make you smarter without any effort at all. You need to put quite a bit of work into its care and feeding. But it’s not like you won’t get anything out of it. You’ll get exactly out of it what you put into it. And here’s where I think some people (myself included) make mistakes.

Don’t expect an SRS to teach you something you don’t already know. If you don’t understand something, putting it the SRS won’t help you understand it better. If there’s a bit of grammar you don’t get, SRSing it won’t help you one bit to magically grok it. All the SRS does is shove old data in your face, ask you to process it, and tell it how well you can process it so it can decide when to shove it in your face again.

Be thorough, systematic, and strict in evaluating how well you processed the data the SRS just shoved in you face. I know I’ve fallen into the trap where I’ll pass a sentence full of kanji I can read (hey! I nailed all of the readings!), hit the space bar without thinking about what the sentence means, then wonder why I never did get the hang of the vocab in it later on. Now I chew over every sentence, make sure I get it in all of its little bits and chunks, and understand what it means. I’m also a lot more likely to rate a sentence as difficult than easy or just right these days.

An SRS will not directly improve your active vocabulary. An SRS will improve your passive vocabulary, so more words will eventually bubble up to your active vocabulary. Your active vocabulary is usually only a fraction of your passive vocabulary. (And a small one at that.) So an SRS will indirectly improve your active vocabulary. The way I see it, the SRS is tool to review what you already know, and keep it loosely in your brain, so when you see that grammar point or word you wanted to remember, you can say, “Oh yeah, that. I remember that.” I think what it does really well (if you use it regularly) is keep you from having to go back and re-review stuff all the time. Learn it once, then don’t forget it. But not everything you remember will go into your active vocabulary right away, so be patient.

Don’t just use one sentence to learn a concept. The way I approach a concept I want to retain is not to just stick in one example sentence and move on, but rather to stick in a bunch of them, to make sure that they’ll keep popping up over time. If there’s just one sentence, you may see it in 12 hours, then 4 days, then 2 weeks, then 2 months… that’s not much time to see it or to let you brain mull it over. But if you have more than that, your brain will keep encountering it, and say to itself, “This must be important. I’ll stick this someplace where I won’t forget it.”

Keep the sentences easy to review. Not necessarily easy, but easy to review. That means that they contain material I know to a certain degree, and I’m only including one or two new ideas to memorize. A mistake I made in the past was to try to put whole dialogues in, in order to preserve context, and that’s just tedious. In those cases where I have to put in a tough sentence or two with a lot of new stuff, then I’ll add a LOT of what I call “support sentences” on separate cards that are short and sweet that cover a lot of the stuff in the bigger one, to make it more manageable when I see it. Over time, they’ll get separated, but in the first few weeks, they’ll generally be reviewed within a few days of each other, so they’ll reinforce the vocab or concepts in the tougher sentences.

Manage the amount of new material you add daily so you don’t get overwhelmed. I limit the number of new sentences I put in at a time. I want to put in 1,000 at a time, but I understand that that way madness lies. I usually never put in more than 50 at a time. 100 if I’m not going to put new stuff in for a few days… but that’s a stretch. The more you put in, the more you have to review, so for me the key is keeping the number I review per day down to a manageable number (for me) of about 250-300. As some cards mature, they’ll make room for new cards. The better your memory, the more room you can make for new cards. So it becomes a question of how well can you pace yourself, and how much SRSing can you stand per day.

While interesting sentences are always the best ones to put in, realisitically it’s just not possible to do that all the time. This is especially true when you’re a beginner, and you’re just trying to remember the basics. There’s no sin in grabbing a bunch of dry, soulless dull sentences from a textbook, so long as they help you remember the grammar and such that you’ve been learning. Are they dull? You bet. But do they help you remember how to put sentences together? That’s the important function.

One heated topic of debate has been “fun.” There are two camps on this issue. There are people who have tossed their SRS because “it’s not fun.” Then there are those who say, “Why does everything have to be fun?” I fall in the second camp for the most part. I’ll admit that there are times I don’t feel like hitting the SRS. There are times it’s definitely NOT fun. But I would feel even worse if I didn’t do it, and since I also know just how much it has helped me, I’m willing to keep slogging away. Because breezing through a bunch of stuff I know cold is a LOT of fun for me. So I’m willing to sacrifice some “fun” for some results.

The SRS isn’t everything. Go talk to people in Japanese. Read books/manga, surf the web, listen to podcasts, watch Japanese TV… go nuts. And when you run across something you want to remember, SRS it.

In a nutshell:

  • Don’t abdicate responsibility for directing your studies to the SRS. If you don’t know it, you won’t learn it by SRSing it. It’s a review tool, not a learning tool. Drop the donut and crack a book if you don’t know.
  • Don’t bite off more than you can chew at a time. n+1 for the win.
  • Overwhelm the enemy of forgetfulness with sheer numbers. Don’t rely on one sentence to teach a difficult concept, instead give your brain a decent number of examples.
  • Have clear and strict standards for what counts as a pass, and what counts as a fail. Be willing to call something “difficult” if it doesn’t flow off of your tongue and into your brain. Don’t forget what it means to “know” something cold. Be honest with yourself.
  • “Fun” isn’t as simple as “Am I having fun now? How about now? Now?” If you’re willing to put up with some un-fun things, you can make some good progress.
  • The SRS isn’t everything. Read a book, watch a movie. It’s just one piece of the puzzle. Don’t lose perspective. It’s only one tool in the box.

Anyway, that’s my take on it.

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How I Learn Japanese (Now) (part 1)

EDIT: I put the links in at the bottom of the page, in a more coherent order.  I also added a couple I found recently.

This is something I’ve been wanting to talk about for a while, but I never really got around to doing it for various reasons. But now I want to try to explain my approach to language learning. It’s nothing that I discovered on my own. I just found some people with some ideas that seem to work pretty well for me, that are backed up by some pretty solid science.

I have chosen a few weapons for my language-learning arsenal. The first is the used of a good Spaced Repetition System to commit grammatically correct sentences in the target language to memory. The second is the use of immersion when I can. The third  is the practical application of Stephen Krashen’s comprehensible input theory which emphasizes input over output. Basically, you want to overwhelm your brain with good input in the target language before forcing output. (Output being you opening your mouth and trying to come up with something coherent.)

Fortunately for me, some people have already come across these ideas and fleshed them out. Khatzumoto at the AJATT blog has written extensively on his experiences, the guys at antimoon.com have also achieved some excellent results, as has this poster on kuro5hin.

Khatzumoto’s AJATT approach for some odd reason is considered “controversial.” I’m not exactly sure why. He’s simply drawing from some pretty standard theories of language acquisition. Immersion is pretty straightforward. If you immerse your brain in a surrounding composed of your target language, it will pick up on things much faster than if you don’t. It’s a pretty obvious thing. The more of X language you listen to, the better you’re going to get. That’s how you learned your first language, anyway. Your parents did NOT sit you down with a stack of textbooks and start giving you exams on grammar. You just picked it up. That’s what your brain does.

I’ve been slowly trying to build a more immersive environment around me, but it’s hard to do. I try to watch as much unsubtitled Japanese TV as I can stand, I read books, manga, etc. It helps a lot, but I need to work a little harder at weeding out extraneous English. (Like this blog? Heh.) It doesn’t help that I work as a journalist. English is my money-maker. But that can’t be helped, because I love it.

I had my own good example of this when I was in Japan. My Japanese would get better whenever I stayed at a hotel that DIDN’T have English-languge programming, and it got worse when it did. (Because I would watch it.)

Without memory, all of this immersion effort is inefficient. The basic concept I use is called spaced repetition, and by using that
method, you can slowly push data deep into your long-term memory by
pushing your “forgetting curve” farther and farther back. There’s also a good writeup of how the author of Supermemo gets his SRS on in a quest to fill his brain in this Wired article.

I use an SRS program  to cram as much Japanese into my noggin as I can. My SRS of choice is Anki,
which is an excellent SRS program to use for learning Japanese. It
works well on PC, Mac, Linux, and over the web. It dovetails nicely
with my iPhone, in that I can go over my flashcards over the web using
the anki server.

Anyway, that’s the rationale behind how I approach it. Now the actual nuts and bolts of it.

For starters, I already had some college-level Japanese under my belt, but I had stopped taking classes about 3-4 years ago, then I stopped studying Japanese almost entirely for about 18 months. I had burned out, to be honest. Part of my frustration was centered around learning kanji. Ok, most of it. The other bits involved me being unable to do “output” properly. I couldn’t hold a conversation to save my life, and whenever I did, I felt very uncomfortable. I would always feel like I was unable to say what I wanted to say.

Remembering the Kanji

I had decided to start studying seriously again after 3-4 failed attempts to jumpstart my Japanese. When I was looking for info on the web last summer, I came across James Heisig’s Remembering the Kanji. (125-page sample here.) Heisig came up with the system 30 years ago when he had to learn to be literate in Japanese fast. So he created one of the great quick-and-dirty methods to get a grasp on kanji.

His approach is simple. Break the process of learning to read and write kanji into discrete parts. He had noticed that native Chinese speakers had much less trouble dealing with kanji, because they already knew their own version from their language. They knew how to read and write them, and they knew what they meant in their own language. So merely substituting Japanese readings/meanings was a lot easier. It’s sort of like recognizing the letter “A.”

Volume 1 teaches only the writing and one meaning in English for each character. It doesn’t teach you any Japanese at all. I’ll admit I was skeptical at first. What good would it do to just know a vague meaning and how to write the characters?  I decided to bite the bullet anyway and try the sample chapters, and read his explanations for how his sytem worked. And you know what? I tore through the first 125 pages in a few days, and ordered the book from Amazon. As I was doing it, I got it. I finally found something to help me beat the kanji dragon.

It’s actually a brilliant approach for Western language types, because it gives western students a similar advantage that Chinese language speakers have in learning Japanese. So when you move on to either RTK volume 2 or some other method of learning kanji readings, you’ll have the hard part down. If I can peg a single English word with a basic concept to a kanji character, then I have a place in my brain to put it until I can successfully attach a Japanese meaning/concept/pronunciation to it. As you learn real Japanese, the keywords fade over time.

RTK also banks on the power of the Division of Labor. Trying to memorize how to write, read, conceptualize, and pronounce (with sometimes up to 4-5 different ways to sound out a kanji depending on how it’s used) all at once is just begging to fail, because our brains aren’t that good at doing that sort of learning all at once. It’s much easier to just learn a few things about a bunch of characters, get that down cold, then learn another thing, then another. It’s not impossible to do it the Hard Way, but I call it the Hard Way because that’s what it is.

While RTK volume 1 is a great book, and it takes a lot of work to finish, when you get there, you’re just going to be standing in the doorway. It’s merely the first preparatory step to learning one of the hardest parts of the language.

It sounds frustrating, but in the long run, it will make getting to the top floor a lot faster. Think of it as an elevator to the top of kanji mastery in comparison to grinding up the stairs.

The book isn’t easy to get through. It takes focus, patience, and time. When I first started using the book, I made a few tactical errors:

1. I made paper flashcards. Time-consuming and inefficient. They took away from time I could have used to create vivid stories.

2. When I finished making all of my flashcards, I took a break and stopped reviewing. Well, to be honest, I finished all of the flashcards, but I hadn’t even bothered to review the last 900 or so, because I had fallen behind on my reviews of the previous 1100. And so the downward sprial began, and then I started missing days, and that was that.

3. I didn’t use a computer-based SRS to time my reviews out for me. I had the shoeboxes. Ugh.

So what’s a better way to do it? Easy. Spaced Repetition Software. I like to use the Reviewing the Kanji website to do my RTK reviews, but you could use any SRS program out there, like the above-mentioned Anki. (It comes with an RTK deck.)

The Reviewing the Kanji website is great because it’s a shared database of stories people use to memorize individual kanji. The stories alone, are a great reason, but there’s also a lively community on the message boards there too. You can find a lot of people to bounce ideas off of, not just for finishing RTK1, but for Japanese language learning in general. The site also has a solid SRS system you can use efficiently. I still use it for my daily reviews of RTK1.

On my second try in January, I plowed through the book in two and a half months. Easy-peasy.

Just one thing to keep in mind– it’s all about momentum. You create it, so you must maintain it. You don’t have to learn new things every day, you just have to keep up with your reviews. Don’t miss days. The more you miss, the deeper the hole you dig for yourself. And eventually, it will get so deep that you quit and wind up back at square one. Not a good place to be.

Links:

On theories of Language Acquisition:

Practical Applications in the real world:

Remembering the Kanji:

Remembering Stuff:

Interesting Places to Argue About this stuff:

To be continued in Part Two…

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Getting Japanese Books

If you’re like me, and studying Japanese, you probably want to get your hands on some books in Japanese. If you live in North America and have tried to order from amazon.co.jp, then you’ve probably run into their oppressive shipping fee structure. If not, I’ll explain briefly. When you buy from amazon.co.jp, you cannot select any shipping options other than their express service. Well, that doesn’t sound too bad on the surface, until you start doing the math. The base charge is 2,700 yen, with a extra charge of 300 yen per book. So any benefits you might get from ordering in larger quantities get flushed down with your cash.

So there have to be better alternatives, right? Of course!

For starters, if you live in the U.S., there’s the Kinokuniya bookstore in the New York area. They have a ton of Japanese books, current ones at that. They won’t always have things right after they come out, but they usually get them in soon enough. Some items may have to be ordered from Japan as well, and that will add a few weeks to the shipping time. Ordering isn’t too difficult, and English cues are available for the chicken-hearted.

Shipping is where Kinokuniya NY shines– $7 to my house in North Carolina via UPS Ground, and usually arrives in 2 days. That’s $7 for the whole shipment. I’ve ordered as many as 5 books, and it still cost $7 for the lot. No handling fees, either. You usually have to order before 9:30 a.m. ET to get them to ship same-day.

One caveat: if the books you want are not all at the same store, you’ll have to complete orders for each store, and that means 2 x $7 for shipping, for $14. It’s still cheaper than the 2,700 yen + 300 yen from amazon.co.jp, though, and it will arrive pretty quickly if you’re on the East Coast.

Another caveat: Kinokunia NY tends to mark up prices over the price in yen. I’ve seen 390-yen tankubons marked up to around $5-6.  So unless you desperately need a book right away, you may want to shop around, and read on.

If you’re looking for textbooks, and are feeling really cheap about shipping, I’d also recommend the Japan Shop. The Japan Shop has a good selection of Japanese textbooks and other study guides. They don’t have everything, but they do  have a good selection. Service is quick, and shipping is USPS Priority Mail. It runs about $4.80 to my front door, and packages arrive in 2-3 days.

But… the Japan Shop also marks up books over retail. It can’t be helped. Shipping costs from Japan have to recaptured somewhere, and that somewhere is in the markup. Take my 800 yen answer key for Genki vols I and II. It ran me a little over $15. Ouch. But it was the only place in the U.S. I could find it at the time.

I have not tried YesAsia, so I can’t say how good they are. If I ever do, I’ll let you know. They do appear to have a pretty good selection of movies, games, and books, however. I have no idea about shipping or markups.

Finally, if the book you want isn’t available from any of these other vendors, then I would recommend checkig out BK1.jp. BK1’s website is not for the Japanese language newbie. It’s all in Japanese. There is NO English help available. (That I could find, anyway.) If you’re at all hesitant, get rikaichan, install it, and use it on this site. If you can parse out rikaichan’s output, then you should be able to muddle your way through an order. (I did it, so it’s possible.) If you have no clue, you probably don’t have any business buying any of these books, anyway.

What’s so great about BK1? I’ll tell you. First, it’s based in Japan, so they will get new books right away. Books are not marked up, either… well, they are a little bit– taxes are figured into the prices, so you can’t avoid that. But the markups aren’t egregious. I saw a 20 yen markup on a 400-yen book. That’s not as bad as a $2 markup on a 400 yen book like I’ve seen at Kinokuniya.

Another great thing about BK1? Point club. Yes, those magical words anyone who has ever been to Japan knows and loves. Point clubs are all about rewarding people who buy stuff. BK1 has one. Join it. You get points for purchases that can be applied to stuff later on.

Finally, the best part about BK1– shipping costs. Make no mistake: shipping anything from Japan to the U.S. can be expensive if you’re impatient. But if you’re willing to delay that gratification, you will profit. BK1 offers you a choice of 5 ways to ship: EMS, SAL, 航空便 (airmail), and 船便( surface mail), and a mystery 5th choice of a courier-expedited service. I haven’t used it because it sounds expensive.

So how much will shipping cost? Well… that’s one weak spot. BK1 does NOT have a shipping calculator, and does NOT estimate it for you. It does charge you the actual cost of shipping, without handling fees. So if you want to estimate your shipping costs, go to the Japan Post website and check out their international shipment time/fee calculator (in English, too).

A rough guide based on my 7 books weighing 1.9 Kg:

Amazon.co.jp: 2,700 yen + 2,100 yen of fees: 4,800 yen. (Yikes!)

EMS: Most expensive, fastest. 4 days to my door, 4,000 yen.

航空便 (airmail): Second-most expensive. Fast-ish.: 6 days to my door, 2,700 yen.

SAL (mix of air and surface): Cheaper. Not so fast, but not painfully slow: 10-14 days to my door. 1,900 yen.

船便 (surface mail): Cheap. Brutally slow.  10-12 weeks to my door, 1,000 yen.

So if you’re willing to wait 10-14 days, you could save almost $30 by using BK1 over amazon.co.jp, AND you might learn some Japanese in the process.

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