Strum GS-2!

 Music, Technology  Comments Off on Strum GS-2!
Mar 282015
 

I’ve always been a fan of Applied Acoustic Systems’ software, mainly because I love how how it sounds, but also because I love the idea of using software to model instruments instead of relying on gigabytes of samples to create the same sounds. Their Strum GS-1 guitar modeler has been around for a while, and while it’s serviceable as a guitar sound, they just came out with a new version, GS-2, which for now only does acoustic guitar sounds.

For starters, the sound is incredible for a modeler. It sounds … well … like a real guitar. And it behaves like one, too. (And in the end, it’s all about the sound, isn’t it?) There are plenty of patches to play around with to get a good variety of sound colors, and since it’s not much of a memory or CPU hog, it’s pretty easy to run them through whatever VST FX you want to to dirty them up.

The playing interface is also updated, with three new modes. In the first mode, it plays like a keyboard instrument. Hit a key, get a sound. Not much to say there.

In the second mode, it plays like a rhythm guitar. Press a key on the lower half to select the chord, then press a key or combination on the upper octave to strum it. This mode is slightly tricky to figure out. Just banging out major chords is relatively simple: if you want a C, play a C. But if you want a C7, what do you do? You play C and then play the first white key below it. If you want Cm, play the first black key below it. And since F and E are right next to each other, they keys still operate the same, so it’s a little weird. Don’t think in terms of half/whole steps. Think in terms of white/black keys.

I really like the rhythm mode (called Guitar in the program), especially the variety of strums. There are also six different chord types, with different root positions and fingerings, so if you want open chords, you can choose those, or if you want power chords, you can choose those.

To get chords like a sus2 or sus4, you have to chord it out like a regular chord on the keyboard, and experiment! Hitting C-F-G will give me a Csus4, C-D-G a Csus2, and C-F-B a C7sus4. There are a lot of chords lurking in there, you just have to bang around a bit. The major/minor/7th chords are easy to find, though, and that should make simpler stuff easy to knock out.

The last mode is the loop mode, and that’s the most fun to mess with in a mindless kind of way. Hit a key, and the program will auto-strum it for you. To change patterns, select a different key on the upper octave. You can choose a bunch of different patterns, so that makes it fun to play with.

The upgrade was only $30 or so, since I’m already a registered used of Strum GS-1. I can’t recommend this upgrade enough! It sounds wonderful, and it’s really fun to play with.

Obviously, if you’re going to lay down something professional, you’ll want to get a real guitarist in, but for laying down a good acoustic track before then, this should work fine.

Computer Music Also Does Free/Alchemy and SFZ

 Music, Technology  Comments Off on Computer Music Also Does Free/Alchemy and SFZ
Feb 132015
 

A couple of things:

One, the March issue of Computer Music Magazine is doing a huge Free VST/Sample focus, so you don’t need to speak Japanese to learn all about free VSTs. They’re doing a big tutorial on Synth1, too, which I think is worth reading if you’re interested in Synth1. It’s a pretty powerful free synth that has been around for a while.

Also, if you’re looking for the Alchemy player, CM’s crazy software bundle that comes out each month has the Alchemy Player in it. It’s not the same as the full version of Alchemy, which I love, but it’s better than nothing.

There’s a bunch of other free stuff they stick in there software-wise every month. Most of the “CM” versions are essentially demo versions of real products, with some of the juicier features removed, but you can use them all you want as they are. It’s a good way to demo products you may not even know you might need. (Or you may not need. You won’t know until you mess with them a bit.)

Two, I totally forgot that Alchemy will load SFZ format files. I just spent 20 minutes playing with the violins in SSO, creating a really neat pad in Alchemy with them. It’s dead simple to do, too, since Alchemy supports the format. Such a shame that they got bought out, and we’ll probably never see the new version of Alchemy. Good for them that they got the money, but bad for us, since Alchemy is a brilliant piece of software.

I’m kind of bummed that all of the Alchemy add-ons are unavailable now, but now I can go into my SFZ files and make my own. So it’s part loss, part win.

Lots of Free VSTs in the March DTM Magazine

 Japanese Language, Music, Technology  Comments Off on Lots of Free VSTs in the March DTM Magazine
Feb 122015
 

I just got my copy of DTM, a Japanese electronic music magazine, and they had a big issue this month on Free Stuff, with useful things like reviews and stats, and they were kind enough to dump a bunch of them on a DVD-ROM that comes with it.

Of course, being a Japanese electronic music magazine, you need to know the language to get the most out of it. But it’s a pretty interesting collection compared to some of the standard free VST recommendations out there. The most useful bit is the little graphic showing which plugins are 32/64 bit, and which are Mac/PC only. That’s the really useful bit for me, because I run Live in 64 bit mode exclusively. I have Reaper set in 32-bit mode, but I don’t use Reaper that much. That’s more like a “I have to record this ancient 32-bit plugin to a stem so I can work on it in Live!” kind of thing.

If you want to pick up a copy, go to Amazon Japan and search for DTM 3月2015年.

Free Orchestra Sounds and Free Sample Players

 Music, Technology  Comments Off on Free Orchestra Sounds and Free Sample Players
Feb 052015
 

I’d love to get some of the top-shelf orchestral libraries, but I don’t really have $2,000 lying around. And I love Free Things!

So I’m going to suggest taking a look at Sonatina Symphonic Orchestra. It’s free as in free speech and free beer. The quality is good, not great, but that’s all I need at my level.

The SSO library uses the SFZ open format, and the only player I can find anymore is the free SFZ sample player at Plogue. I tried to find the Cakewalk SFZ player, but all I got were 404 errors.

Plogue also kindly assembled a bunch of free samples for the SFZ player from Garritan, Digital Sound Factory, Analog Industries, Patch Arena, and Plogue as well! And they’re free!

Oct 012014
 

Paying full price is for Suckers.

Ouch, that’s harsh, isn’t it? But it’s true. When it comes to music production software and hardware, just about everything software (and some hardware) goes on sale 2-3 times a year.

There are a few products that never go on sale, but those products are a minority. A small one, at that. The perpetual sale nature of the software industry makes me question what the real value of any of this is.

It used to be that gear would go on sale once or twice a year. Now, every month there’s a huge list of companies making desperate offers to get you to buy their stuff. So, if there’s always a sale on, is there really a best time of the year to shop? Yes, there still is.

When? Around Black Friday, right after US Thanksgiving. (Check before, just in case.) As an example, I bought Native Instruments’ Komplete 9 Ultimate, which usually goes for $1100, for $575 last Thanksgiving. And I bought a few other things at very steep discounts (like SynthMaster), because I am what? Cheap! (Well, cheap but impulsive when I see a really good deal for good software.)

Komplete 9 was on sale one more time after that, and that was this past summer, but the deal wasn’t as good as it was last Thanksgiving. Same for Synthmaster. It’s been on sale, but not as cheap as it was then.

Black Friday is a great time to gear up a new studio, but sometimes companies have once-a-year deals that are outside of that time, so it pays to keep an eye on things year round.

I have a few places I check on a semi-regular basis:

  • On the front page of KVR Audio (or just follow them on Twitter), check the What’s New feed, and click on Deals.
  • Or go to Rekkerd.org’s Deals page.
  • Also, look at Rekkerd’s “Deals Archive.” That’s amazingly useful for bargain hunters like us, because companies tend to repeat the same offers at fixed intervals. (Some are regular like clockwork!)

If something has just come off of a deal, then you’re going to have to wait a while for it to come on deal again. (Unless it’s a Waves Audio plugin. I swear, they have everything on sale all the time, or so it seems. In fact, Waves has sales every weekend.)

You can also get some crazy deals at plugin resellers. The two I use the most are:

Both are totally legit, but you may have to wait a day or two to get your license codes. Plugin Discounts tends to have bigger savings, but Plugin Boutique will give you cash back in the form of a credit, which you can apply to your next purchase. Shop around!

As an example: iZotope makes StutterEdit, which is a great glitch plugin. It retails for $249. It just came off of a sale at $99 on the iZotope website, but I found it on Plugin Discounts for $88.

$88 for a $249 plugin? Yeah, I can do that.

When you do decide to start buying plugins, please go slowly. Don’t go broke buying tons of them. Buy smartly. And when you see a synth or plugin you like, make a note of it, and wait for it to come on sale. Most will, eventually.

A Few Closing Thoughts

First, when you go to pick out a DAW, make sure of a few things: does it use VSTs, or does it have its own plugin format? (Reason and ProTools use their own formats for plugins.) If you want to go cheap, stick with DAWs that use VST for now. It’s not an ideal solution, but it offers the biggest variety and the most potential cheapness.

You can hook up a VST to Reason through a VST host application, but it’s one of those things that’s kind of a kludge, and I don’t know that it’s worth the trouble. Rewire Reason into your main DAW instead.

Most VST makers will let you sell your plugins to other people. (License transfers.) Reason does not let users transfer Rack Extension licenses. You can transfer the Reason license, but not the RE license. If that’s a deal-breaker for you, keep it in mind. Read those EULAs! Rack Extensions are pretty cool from a tech point of view, and they make Reason really useful, but it’s a walled garden.

Some DAWs, like Studio One Artist edition, won’t allow the use of external plugins. Whoops! Gotta buy a more expensive version there! Studio One is a good DAW, but read the fine print. Same goes for the Studio One Vocaloid Edition. It only lets you use the Piapro Studio plugin. The rest are all Studio One only. If you don’t mind that, Studio One is an excellent starter DAW you can usually get for around $80-$90, and the full version is around $200-$300.

If you want to use Nerve and Serum in your music, you better make sure they’ll run in your DAW first! Read the developer’s website, and check for compatibility! Some plugins just don’t work with some DAWs, and you won’t know until you pay and suffer.

When it comes to copy protection, there are a few different ways companies do it– the worst in my opinion are the USB dongles, because they ruin your ability to go portable. How can I hook up gear if I have a dongle in every USB port? iLok and eLicenser are the more egregious ones. I can’t run Cubase without a dongle, so I tend to run Ableton more often. Native Instruments and Ableton both have very good copy protection, in that it’s not aggressively annoying.

It’s sad, but I tend to avoid perfectly good software if it uses iLok or eLicenser. I hate being shunted off into that kind of copy protection, especially when I’m a paying customer. (Even if I am cheap.)

This leads me to my final advice: learn how to program! I mentioned it briefly in part two, but making your own gear in Reaktor, Max For Live, Bidule, or C++ is a great way to save a ton of cash. It’s also a great way to learn more about audio and how those sounds are made.

Stay cheap, do your homework, and don’t forget to make some kickass music!

The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!

 Education, Music  Comments Off on The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!
Sep 252014
 

We have our DAW and maybe some gear. One perfectly valid strategy is to simply use the included plugins in your DAW of choice. If you’re using Reaper, then it has all you need to learn with for now. Master that stuff, and come back here when you’re bored with it. Whenever that is.

If you want some external synths and effects, please go easy! It’s really tempting to get a bunch of synths, thinking, “I AM POWERFUL! SEE MY SYNTH ARMY AND WEEP!”

But the only one doing the weeping will be you. Because you won’t know which freakin’ synth to use. You may even forget which ones you have.

Get one plug-in or synth at a time, learn it, know it in and out, then it’s okay to get the next one, if you need it.

Some of the best artists limit their choices to free up their creativity. “I’m only going to paint with blue.” “I’m only going to draw dudes bowling.” “I’m only going to write angry songs about my ex.” In your case, how about, “I’m only going to use one synth?” Try to stick to that for at least a month.

Here are a few good starter synths, and they’re all free:

Get a Few Free Effects

What goes for synths goes double for effects. Go easy on the effects, because there are even more effects out there than synths. How many reverbs is enough? One, maybe two for now. Same goes for compressors, limiters, gates, and EQ. If what you’re trying to learn isn’t in the effect you’re using, then by all means, keep looking, but know when to stop and go back to making music.

So, here are some good sources for free plugin effects:

  • GVST has a ton of free effects plugins. (They have synths, too.) Their effects plugins are great for learning the basics, because they don’t fill up your screen with a lot of crap. They don’t necessarily sound the best, but they’ll do the job for now.
  • The KVR Developer Challenge is where devs go all out, make free plugins, and fight for prizes. It’s a great way to look for something new/free/cool.
  • Also, check out KVR’s list of the most popular plugins, and check out the Free category.
  • Also check out their Free News category, for the latest on free plugins.
  • Xfer Records has a page full of free effects to play with.
  • Limiter No. 6 is awesome, too. Download here.
  • George Yohng’s W1 Limiter is a nice Waves L1-style limiter for free.
  • Tokyo Dawn Records has some really good free effects, and some you can buy.
  • Voxengo has a nice selection offree effects plugins.
  • Audio Damage’s Rough Rider is a great free creative compressor. It adds a lot of squash, dirt, and crunch to sounds. It’s really good on percussion sounds you don’t like.
  • Luftikus is an awesome free equalizer that’s similar to the Maag EQ (download). It even has an “Air Band,” which will make everything sound like it was made at 11.
  • The Klanghelm IVGI Saturation and Distortion plugin adds some warmth and grit.
  • Sound on Sound has a list of their favorite free plugins, too.
  • Drummic’a from Sennheiser, available only from their German Site, is an incredible drum library. It comes with the free version of the Kontakt player. Grab a buddy who can sprechen Deutsch, and go at it. You’ll need to register with the site, activate it by email, then use the code for activating the sounds. It comes as a Kontakt library, but it’s awesome. And it’s free! We like free! (And it’s by Sennheiser, who make great mics!)

I’ll add more as I find them. There’s a staggering number of good free plugins out there.

Or, if you own Native Instruments’ Reaktor, Max For Live, or Plogue’s Bidule, you can make your own Synths and plugins, and save a ton of money. (Minus the cost of the programming environment, of course!)

Samples, Patches, and Instruments

This is a short section, because it links to some massive content. (Pun intended.)

This Reddit thread that contains an insane amount of drum samples and Massive patches should tide you over for a while. It’s useful more for the drum samples than the Massive patches, because we’re cheap here.

Here’s another Reddit thread on readers’ favorite free VST instruments.

Pay a Little, Get a Lot: Computer Music and DTM.

I recommend Computer Music magazine, specifically it’s 200th issue, because it comes with some great stuff, like the full edition of Cakewalk’s Rapture synth. Get the electronic version of the magazine through iTunes or Google Play, set up your username/password, and go download a bunch of free plugins. (If you use Google Play, when you go to download, tell them you got the magazine off Zinio. It works that way. There’s no drop-down for Google.)

One note about Rapture. Yes, it’s the full synth, but read the license carefully: it says no commercial use on the synth. So… yeah. Use it as a practice synth, then go buy the real thing, I guess.

A few of the included plugins are full versions, but most of these are “CM” versions of commercial plugins, which means that they’re functional, but kind of stripped down in a few places, because it’s hard to make a living off of free, and they really want you to go out any buy the full version.

It’s a great way to play with an unlimited demos. SynthMaster CM is essentially a “lite” version of SynthMaster you can play with as long as you want. (SynthMaster is one of my favorites, but not free. It goes on sale once or twice a year, though!)

It’s also a good place to get some free samples, because each issue comes with free samples. Buy a few issues, and you could build up a seriously crazy sample library.

Computer Music (CM) is also great for reviews. They’ll tell you if something sucks, so you’ll save money. (So will the posters at Gearslutz. In fact, they’ll tell you a lot of things suck. If they all say something is good, then it’s probably godly good.)

CM also has a ton of tutorials that come with each issue. Not to sound like a shill, but for a few bucks a month, it’s a great deal.

If you don’t care about Rapture, then just get the latest issue of CM, and you can still get some sweet gear for “free.” Well, minus what you paid for it. I think it’s like $5 an issue, or $40 a year. Your money, your call.

If you’re into the Japanese music scene, can speak the language, and can spare the money, try to hunt down DTM magazine. They also have a lot of tutorials, reviews, and free plugins. But it’s paper only, each issue is around 1500 yen, and that doesn’t even include the shipping, which can get ridiculous. (And I did say it’s in Japanese!) Cheap-ish if you live in Japan or near a Japanese bookstore, though!

Spend $130 to Never Buy Patches Again!

Now that we’re spending a little money, I’ll recommend one other thing I know, and that’s Syntorial. It will save you a stupid amount of money on patches, because you will learn how to make your own damn patches. (As you should do, anyway!)

It’s a program that teaches you how to use a synth, one knob at a time. Then it teaches you how to use your ears to figure out how sounds are constructed. It’s brilliant.

You watch a short video, then do exercises, watch more videos, do more exercises. You can quit whenever you want, but it gets addicting.

In my next (and last) post on this, I’ll give you my “How to buy plugins like a cheap badass” advice.

Snowmageddon Round Two? (Random Stuff Post)

 Art, DIY, Education, Music, Photography, Technology  Comments Off on Snowmageddon Round Two? (Random Stuff Post)
Jan 282014
 

Well, we’re all waiting for the snow to start. We’re supposed to get anything from 2 to 6 inches of snow today through tonight, and as I’ve said many times, we don’t do snow well here. I’m staying off the roads today and tonight, so that means no piano class.

Bummer.

If I Can’t Go to the Music School, Bring the Music School to Me!

I’m going to catch up on my Coursera classes: the Write Like Mozart class, and Pat Pattison’s Songwriting class, which I signed up for again last night.

I signed up for his Songwriting class last year, but I didn’t have time to finish it. What I saw, I really liked. He gives a really good insight into how pro songwriters write songs, and how to improve my own songwriting. (Hint: it involves lots of practice, just like anything else.)

I might also watch some Max 4 Live tutorials. That also looks really interesting.

Bitwig Studio

Bitwig Studio is coming out in late March for $399. The part that’s really interesting to me is the ability to run it in Linux. I think that’s a brilliant idea. But from what I’ve heard, there’s no ReWire compatibility yet, so that’s a big minus for me. This is a good preview of Bitwig, and you can find more videos on their channel.

I wouldn’t mind demoing it to see what it’s like, but $400 is a bit steep for me after G.A.S. ate a lot of my money over the holidays.

I probably shouldn’t buy another new instrument until I’ve gotten good at using the ones I already have.

Rewire and Vocaloid Editor

Speaking of ReWire, I finally found a VST that will let me ReWire the Yamaha Vocaloid 3.0 Editor into Live or Cubase. Cool! You can find it here (the site is all in Japanese). Look for this text “V3Sync ReWire Synchronizer Version 1.3.0 をダウンロード” in the middle of the page, click the link, and install like any other VST. Point the Vocaloid 3 editor to the VST, and it should work.

I know you used to be able to ReWire directly from most Vocaloid 2.0 editors. What happened with 3.0? I have no idea.

Piapro Studio is a good alternative now that it’s at version 1.2. Now you can use sound banks from other companies, too, if you register your non-Crypton sound banks at Crypton’s Sonicwire.com website. I haven’t tried it yet, but I will soon.

Monitor Stand Update

The monitor stand is working really well. I installed it about a week ago, after letting it off-gas for a few days. It adds about 4.25 inches to the height of my monitors, so it took a few days to get used to, but I’m used to it now.

Naturally, just as I say that, I noticed a crack in the wood filler on the right side, near my heater vent. That’s what touch-up paints are for.

Slide Duplicating Project

This is a project I’ve been wanting to get back to for a while. I’m waiting on a Leica Screw Mount to Sony E Mount adapter, and then I may be able to make some good progress on it. I’m going to try what someone did here and remove the FD mount from my Canon FL Bellows, then attach it to my NEX with a LSM to E Mount adapter. That should give me enough focal length to get the duplicate slides in full view.

I hope.

Or I can just throw the whole mess on the copy stand. But I’d rather use a slide copier, because I can aim that at Mr. Sun, and get natural daylight for copying the slides. Artificial light always has weird spectra, even light bulbs that say they are “daylight balanced,” only do so in a way that fools your eye. It does not fool the sensor or the software.

Woof Woof. Books.

 Travel  Comments Off on Woof Woof. Books.
Dec 312013
 

I’m sick as a dog. When we got together at Christmas, we not only exchanged presents and shared Christmas cheer, we also swapped viruses around, it seems.

I have a nasty fever and generally feel like the bottom of someone’s shoe.

The worst part of it is that my SO and I aren’t going to be able to go out for New Year’s. I don’t want her to get sick. That would suck. She has a lot of lawyer stuff to do, and being sick would just make it a lot harder to do it.

And no, I haven’t made any progress on the monitor stand. I don’t think inhaling fumes would help any.

Books!

Being sick didn’t stop me from ordering a really cool book. Robert Anselmi runs Reason101.net, and he’s one of the long-time posters on the Propellerhead User Forums. He’s forgotten more about Reason than I know. Anyway, he has put together a huge book on how to get the most out of Reason’s standard instruments, as well as a few of its Rack Extensions. It’s called “Robert Anselmi’s Reason101 Visual Guide to the Reason Rack.”

He’s self-publishing it through Lulu. I managed to find a discount code, so I ordered the book. I can’t wait to read it when I’m feeling better.

The best part? You can get spiral binding! If you’re a musician, you know how awesome spiral bindings are. That version also comes with a free ReFill, too. It should get here soon.

Another book I got recently (for Christmas) was Daniel R. Mitchell’s book, “BasicSynth: Creating a Music Synthesizer in Software.” It’s an interesting read so far, but I realize I need to get better at programming before tackling parts of it. Someday, I’d love to make my own synthesizer. That would be so cool. And it would have the shiniest knobs and buttons ever.

In Closing

Happy New Year, everyone. Be safe. I’m just going to go in that corner over there and be sick some more.

You Komplete Me

 Music, Photography, Technology  Comments Off on You Komplete Me
Dec 052013
 

Komplete Ultimate showed up today. It comes on a shiny little hard drive, and the install takes about an hour or two. I installed the full version of Kontakt first, then registered it, then installed the Komplete Ultimate cross-grade, and everything went just fine. I’m excited to get more into it. All of it. There’s a lot of it!

I’ve been looking at some of the other deals out there. One VST I picked up was SynthMaster, because it sounds great, and it was on sale for $49. I really like the sounds it makes. If you pay more, you can get more patches. In the case of SynthMaster, some great sound designers have made some really amazing patches, so I picked up a few to go with it.

I also picked up Chromaphone by AAS, because I’ve been looking for a good percussion modeling VST. I realize that Chromaphone does more than that, and, in fact, it does a lot of really wild and interesting things, too.

The last thing I picked up was a second monitor, because photo editing with just one monitor drives me nuts. Also, working in Reason with only one monitor also drives me nuts. I like having the sequencer/mixer in one window, and the rack in another. I found a Dell monitor on sale at Amazon, but it showed up with a bunch of dead pixels, so I sent it back. Unfortunately, I couldn’t get another one, so I had to spend a little more to get an Asus monitor.

Now that I have two monitors, though, I realize that I need to do something about my desk.

It’s always something, huh?

Oh, my new dryer showed up yesterday. It dries clothes beautifully, and it was cheap. Did mention it was cheap?

Miku In The House // New Computer // Glass Coming to the RTP

 Japan, Music, Technology  Comments Off on Miku In The House // New Computer // Glass Coming to the RTP
Oct 022013
 

So the Vocaloid software showed up yesterday from Tenso. It came in great shape. The install went smoothly, and everything runs fine.

Today I upgraded to Cubase 7.0 full version to get more flexibility with making music. Artist is fine, but the upgrade was cheap.

New Computer Up and Running!

Oh yeah, the software was all installed on my new desktop, which gets a 7.8/7.9 on the Windows performance index. That makes me happy, but also wishing I could get that last 0.1 out of it.

The SSD makes booting a dream. I go from BIOS screen to login in about 10 seconds. Maybe 15.

I tried to create a custom install for Win 7 using a streamlined set of drivers, apps, etc., but I found I was spending more time on getting a perfect slipstream than it would have taken me to just install everything.

I headed to the Black Viper’s website for info on de-cluttering my registry and services, and I also followed the advice in this post about getting the most out of my SSD in Win 7.

The only major pain in the butt was deregistering a lot of my software and uninstalling it from the old system. I wish there was an easier way to handle licensing. The Cubase USB dongle is useful, but if you lose it, you’re kind of screwed. I like what Adobe does with Lightroom: they trust the users not to abuse the number of licenses. Besides, it’s not like you can run more than one instance at a time, anyway.

I really like the new Vocaloid de-authorizing tool from Yamaha. That worked out really well. Uninstalling/reinstalling was a snap.

Glass!

There’s going to be a Google Glass event in Durham this Saturday, too. I RSVP’ed ASAP. I want to see Glass, and see if it’s going to be a game-changer or not. It’ll probably be a zoo there.

Miku 3.0 Bundle

 Japan, Japanese Language, Music, Technology  Comments Off on Miku 3.0 Bundle
Sep 192013
 

Crypton Future Media, who makes the popular Vocaloid Hatsune Miku, announced an English version earlier this year, and also announced a bundle of the English version with new versions of the older voice banks for an upgrade price for those who own previous versions.

Since I own the older voice banks, I was intrigued. I haven’t given up on my grammar music project yet, even if it is on the shelf for now.

The deal is that if you owned and registered both previous editions, you could get the bundle for ~$150 US.

The bundle comes with a special edition of PreSonus’ Studio One DAW, so it gets a new user in the door of using a DAW. It also comes with Crypton’s new VST, Piapro Studio, that will handle its Vocaloid voice banks inside of any DAW that can use VSTs.

The only downside to Piapro Studio is that for now it only handles Crypton’s voice banks, and that’s minor. You could always create a track with Miku or any other Crypton voice bank, then output it in VSQX format to the Yamaha editor, then change the voice to the voice bank you need to use, and export it out as a stem.

I wanted to get the Yamaha Vocaloid VST plugin for Cubase, but this makes things easier, and saves me another $100 or so. It also comes with some extra VST plugins.

All in all, it’s a great deal, and for beginners, it’s great starter package.

Getting It…

There’s a catch of sorts. You have to have a Japanese address to get the upgrade bundle at this price.

To be fair, they have a US distributor, and that’s where a this restriction comes from. But the US distributor isn’t selling the bundle at this time. I don’t know when they’re going to sell it. Right now, the cost of the English bank from the US company is as much as the cost of the whole bundle from Crypton.

After some talking with customer support, I got myself a Japanese address at Tenso, who will gladly ship it for me. I set up an account with them, and voila! I have an address in Japan now.

There is another caveat: I won’t get support from the US distributor. I’ll have to get support from Japan. I am totally okay with that, because the Japanese customer support has been great.

Now I just have to wait for the software to be released on the 26th or so, and I’ll get it a few days later. Can’t wait.

This blog is protected by Dave\'s Spam Karma 2: 3159 Spams eaten and counting...