Oct 012014
 

Paying full price is for Suckers.

Ouch, that’s harsh, isn’t it? But it’s true. When it comes to music production software and hardware, just about everything software (and some hardware) goes on sale 2-3 times a year.

There are a few products that never go on sale, but those products are a minority. A small one, at that. The perpetual sale nature of the software industry makes me question what the real value of any of this is.

It used to be that gear would go on sale once or twice a year. Now, every month there’s a huge list of companies making desperate offers to get you to buy their stuff. So, if there’s always a sale on, is there really a best time of the year to shop? Yes, there still is.

When? Around Black Friday, right after US Thanksgiving. (Check before, just in case.) As an example, I bought Native Instruments’ Komplete 9 Ultimate, which usually goes for $1100, for $575 last Thanksgiving. And I bought a few other things at very steep discounts (like SynthMaster), because I am what? Cheap! (Well, cheap but impulsive when I see a really good deal for good software.)

Komplete 9 was on sale one more time after that, and that was this past summer, but the deal wasn’t as good as it was last Thanksgiving. Same for Synthmaster. It’s been on sale, but not as cheap as it was then.

Black Friday is a great time to gear up a new studio, but sometimes companies have once-a-year deals that are outside of that time, so it pays to keep an eye on things year round.

I have a few places I check on a semi-regular basis:

  • On the front page of KVR Audio (or just follow them on Twitter), check the What’s New feed, and click on Deals.
  • Or go to Rekkerd.org’s Deals page.
  • Also, look at Rekkerd’s “Deals Archive.” That’s amazingly useful for bargain hunters like us, because companies tend to repeat the same offers at fixed intervals. (Some are regular like clockwork!)

If something has just come off of a deal, then you’re going to have to wait a while for it to come on deal again. (Unless it’s a Waves Audio plugin. I swear, they have everything on sale all the time, or so it seems. In fact, Waves has sales every weekend.)

You can also get some crazy deals at plugin resellers. The two I use the most are:

Both are totally legit, but you may have to wait a day or two to get your license codes. Plugin Discounts tends to have bigger savings, but Plugin Boutique will give you cash back in the form of a credit, which you can apply to your next purchase. Shop around!

As an example: iZotope makes StutterEdit, which is a great glitch plugin. It retails for $249. It just came off of a sale at $99 on the iZotope website, but I found it on Plugin Discounts for $88.

$88 for a $249 plugin? Yeah, I can do that.

When you do decide to start buying plugins, please go slowly. Don’t go broke buying tons of them. Buy smartly. And when you see a synth or plugin you like, make a note of it, and wait for it to come on sale. Most will, eventually.

A Few Closing Thoughts

First, when you go to pick out a DAW, make sure of a few things: does it use VSTs, or does it have its own plugin format? (Reason and ProTools use their own formats for plugins.) If you want to go cheap, stick with DAWs that use VST for now. It’s not an ideal solution, but it offers the biggest variety and the most potential cheapness.

You can hook up a VST to Reason through a VST host application, but it’s one of those things that’s kind of a kludge, and I don’t know that it’s worth the trouble. Rewire Reason into your main DAW instead.

Most VST makers will let you sell your plugins to other people. (License transfers.) Reason does not let users transfer Rack Extension licenses. You can transfer the Reason license, but not the RE license. If that’s a deal-breaker for you, keep it in mind. Read those EULAs! Rack Extensions are pretty cool from a tech point of view, and they make Reason really useful, but it’s a walled garden.

Some DAWs, like Studio One Artist edition, won’t allow the use of external plugins. Whoops! Gotta buy a more expensive version there! Studio One is a good DAW, but read the fine print. Same goes for the Studio One Vocaloid Edition. It only lets you use the Piapro Studio plugin. The rest are all Studio One only. If you don’t mind that, Studio One is an excellent starter DAW you can usually get for around $80-$90, and the full version is around $200-$300.

If you want to use Nerve and Serum in your music, you better make sure they’ll run in your DAW first! Read the developer’s website, and check for compatibility! Some plugins just don’t work with some DAWs, and you won’t know until you pay and suffer.

When it comes to copy protection, there are a few different ways companies do it– the worst in my opinion are the USB dongles, because they ruin your ability to go portable. How can I hook up gear if I have a dongle in every USB port? iLok and eLicenser are the more egregious ones. I can’t run Cubase without a dongle, so I tend to run Ableton more often. Native Instruments and Ableton both have very good copy protection, in that it’s not aggressively annoying.

It’s sad, but I tend to avoid perfectly good software if it uses iLok or eLicenser. I hate being shunted off into that kind of copy protection, especially when I’m a paying customer. (Even if I am cheap.)

This leads me to my final advice: learn how to program! I mentioned it briefly in part two, but making your own gear in Reaktor, Max For Live, Bidule, or C++ is a great way to save a ton of cash. It’s also a great way to learn more about audio and how those sounds are made.

Stay cheap, do your homework, and don’t forget to make some kickass music!

The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!

 Education, Music  Comments Off on The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!
Sep 252014
 

We have our DAW and maybe some gear. One perfectly valid strategy is to simply use the included plugins in your DAW of choice. If you’re using Reaper, then it has all you need to learn with for now. Master that stuff, and come back here when you’re bored with it. Whenever that is.

If you want some external synths and effects, please go easy! It’s really tempting to get a bunch of synths, thinking, “I AM POWERFUL! SEE MY SYNTH ARMY AND WEEP!”

But the only one doing the weeping will be you. Because you won’t know which freakin’ synth to use. You may even forget which ones you have.

Get one plug-in or synth at a time, learn it, know it in and out, then it’s okay to get the next one, if you need it.

Some of the best artists limit their choices to free up their creativity. “I’m only going to paint with blue.” “I’m only going to draw dudes bowling.” “I’m only going to write angry songs about my ex.” In your case, how about, “I’m only going to use one synth?” Try to stick to that for at least a month.

Here are a few good starter synths, and they’re all free:

Get a Few Free Effects

What goes for synths goes double for effects. Go easy on the effects, because there are even more effects out there than synths. How many reverbs is enough? One, maybe two for now. Same goes for compressors, limiters, gates, and EQ. If what you’re trying to learn isn’t in the effect you’re using, then by all means, keep looking, but know when to stop and go back to making music.

So, here are some good sources for free plugin effects:

  • GVST has a ton of free effects plugins. (They have synths, too.) Their effects plugins are great for learning the basics, because they don’t fill up your screen with a lot of crap. They don’t necessarily sound the best, but they’ll do the job for now.
  • The KVR Developer Challenge is where devs go all out, make free plugins, and fight for prizes. It’s a great way to look for something new/free/cool.
  • Also, check out KVR’s list of the most popular plugins, and check out the Free category.
  • Also check out their Free News category, for the latest on free plugins.
  • Xfer Records has a page full of free effects to play with.
  • Limiter No. 6 is awesome, too. Download here.
  • George Yohng’s W1 Limiter is a nice Waves L1-style limiter for free.
  • Tokyo Dawn Records has some really good free effects, and some you can buy.
  • Voxengo has a nice selection offree effects plugins.
  • Audio Damage’s Rough Rider is a great free creative compressor. It adds a lot of squash, dirt, and crunch to sounds. It’s really good on percussion sounds you don’t like.
  • Luftikus is an awesome free equalizer that’s similar to the Maag EQ (download). It even has an “Air Band,” which will make everything sound like it was made at 11.
  • The Klanghelm IVGI Saturation and Distortion plugin adds some warmth and grit.
  • Sound on Sound has a list of their favorite free plugins, too.
  • Drummic’a from Sennheiser, available only from their German Site, is an incredible drum library. It comes with the free version of the Kontakt player. Grab a buddy who can sprechen Deutsch, and go at it. You’ll need to register with the site, activate it by email, then use the code for activating the sounds. It comes as a Kontakt library, but it’s awesome. And it’s free! We like free! (And it’s by Sennheiser, who make great mics!)

I’ll add more as I find them. There’s a staggering number of good free plugins out there.

Or, if you own Native Instruments’ Reaktor, Max For Live, or Plogue’s Bidule, you can make your own Synths and plugins, and save a ton of money. (Minus the cost of the programming environment, of course!)

Samples, Patches, and Instruments

This is a short section, because it links to some massive content. (Pun intended.)

This Reddit thread that contains an insane amount of drum samples and Massive patches should tide you over for a while. It’s useful more for the drum samples than the Massive patches, because we’re cheap here.

Here’s another Reddit thread on readers’ favorite free VST instruments.

Pay a Little, Get a Lot: Computer Music and DTM.

I recommend Computer Music magazine, specifically it’s 200th issue, because it comes with some great stuff, like the full edition of Cakewalk’s Rapture synth. Get the electronic version of the magazine through iTunes or Google Play, set up your username/password, and go download a bunch of free plugins. (If you use Google Play, when you go to download, tell them you got the magazine off Zinio. It works that way. There’s no drop-down for Google.)

One note about Rapture. Yes, it’s the full synth, but read the license carefully: it says no commercial use on the synth. So… yeah. Use it as a practice synth, then go buy the real thing, I guess.

A few of the included plugins are full versions, but most of these are “CM” versions of commercial plugins, which means that they’re functional, but kind of stripped down in a few places, because it’s hard to make a living off of free, and they really want you to go out any buy the full version.

It’s a great way to play with an unlimited demos. SynthMaster CM is essentially a “lite” version of SynthMaster you can play with as long as you want. (SynthMaster is one of my favorites, but not free. It goes on sale once or twice a year, though!)

It’s also a good place to get some free samples, because each issue comes with free samples. Buy a few issues, and you could build up a seriously crazy sample library.

Computer Music (CM) is also great for reviews. They’ll tell you if something sucks, so you’ll save money. (So will the posters at Gearslutz. In fact, they’ll tell you a lot of things suck. If they all say something is good, then it’s probably godly good.)

CM also has a ton of tutorials that come with each issue. Not to sound like a shill, but for a few bucks a month, it’s a great deal.

If you don’t care about Rapture, then just get the latest issue of CM, and you can still get some sweet gear for “free.” Well, minus what you paid for it. I think it’s like $5 an issue, or $40 a year. Your money, your call.

If you’re into the Japanese music scene, can speak the language, and can spare the money, try to hunt down DTM magazine. They also have a lot of tutorials, reviews, and free plugins. But it’s paper only, each issue is around 1500 yen, and that doesn’t even include the shipping, which can get ridiculous. (And I did say it’s in Japanese!) Cheap-ish if you live in Japan or near a Japanese bookstore, though!

Spend $130 to Never Buy Patches Again!

Now that we’re spending a little money, I’ll recommend one other thing I know, and that’s Syntorial. It will save you a stupid amount of money on patches, because you will learn how to make your own damn patches. (As you should do, anyway!)

It’s a program that teaches you how to use a synth, one knob at a time. Then it teaches you how to use your ears to figure out how sounds are constructed. It’s brilliant.

You watch a short video, then do exercises, watch more videos, do more exercises. You can quit whenever you want, but it gets addicting.

In my next (and last) post on this, I’ll give you my “How to buy plugins like a cheap badass” advice.

You Komplete Me

 Music, Photography, Technology  Comments Off on You Komplete Me
Dec 052013
 

Komplete Ultimate showed up today. It comes on a shiny little hard drive, and the install takes about an hour or two. I installed the full version of Kontakt first, then registered it, then installed the Komplete Ultimate cross-grade, and everything went just fine. I’m excited to get more into it. All of it. There’s a lot of it!

I’ve been looking at some of the other deals out there. One VST I picked up was SynthMaster, because it sounds great, and it was on sale for $49. I really like the sounds it makes. If you pay more, you can get more patches. In the case of SynthMaster, some great sound designers have made some really amazing patches, so I picked up a few to go with it.

I also picked up Chromaphone by AAS, because I’ve been looking for a good percussion modeling VST. I realize that Chromaphone does more than that, and, in fact, it does a lot of really wild and interesting things, too.

The last thing I picked up was a second monitor, because photo editing with just one monitor drives me nuts. Also, working in Reason with only one monitor also drives me nuts. I like having the sequencer/mixer in one window, and the rack in another. I found a Dell monitor on sale at Amazon, but it showed up with a bunch of dead pixels, so I sent it back. Unfortunately, I couldn’t get another one, so I had to spend a little more to get an Asus monitor.

Now that I have two monitors, though, I realize that I need to do something about my desk.

It’s always something, huh?

Oh, my new dryer showed up yesterday. It dries clothes beautifully, and it was cheap. Did mention it was cheap?

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